The French actress and musician joined Philippe Sarde in studio to bring to life, fifty and counting years after its composition, a song written for Romy Schneider but never recorded.
The director, artist and musician explores his relationship with horror cinema and its music, from Mario Bava to Ennio Morricone.
From the villas of Gio Ponti and Nanda Vigo to Dario Argento’s beloved Art Deco and Liberty. The invention of the Italian way to horror cinema unfolds through design and architecture.
Composer Fabio Massimo Capogrosso on reinterpreting the musical heritage of Fiorenzo Carpi’s Pinocchio for Francesca Comencini’s ‘Il tempo che ci vuole’ and collaborating with Marco Bellocchio.
From cult architectures to Pop Art, the films starring Marcello Mastroianni offer a way to read the evolution of Italian design and taste in the golden years of Cinecittà.
Since the 1950s, the beach and the road have forged the archetype of an all-Italian way to comment on the myth of the holidays. Equally frantic and alienating, from Il sorpasso and Swept Away to Cario diario and Call Me By Your Name, soundtracks have been crucial in portraying these scenarios.