On the occasion of the release of the second volume of CAM Sugar Synth Utopia digital album series, the founder of Synth History Danz CM dives into the enduring legacy of Italian and French cinema proto-electronic scores, from Ennio Morricone to Vangelis, and many more.
Director–composer partnerships have always shaped the identity of Italian cinema, and the collaboration between Paolo Virzì and his brother Carlo, both hailing from Tuscany and born in 1964 and 1972 respectively, is no exception. From their early work on Ovosodo to their latest effort Cinque secondi (CAM Sugar), their creative language has continually evolved, giving rise to truly memorable film scores. We spoke with Carlo Virzì about it.
The Brazilian DJ and producer talks about her relationship with cinema and the soundtracks that have shaped her sonic imagination.
The Sicilian composer revisited the sonic imagery of Tomasi di Lampedusa’s novel, drawing inspiration from the landscape and musical traditions of the island of the Leopards, unafraid to engage with the work of Nino Rota. We interviewed him to explore his musical vision in greater depth.
The Italian-born London-based producer, songwriter and DJ opens up on her love for Italian forbidden cinema and how it shaped her life and artistry.
Red Light Disco curator Eli Roth speaks to Edwige Fenech, the face of 1970s and 1980s Italian softcore and giallo cinema, on the hunt for lost soundtracks.
