Composer Teho Teardo discusses his CAM Sugar soundtrack for Marco Bellocchio’s new series Portobello, exploring the human and judiciary drama of Italian television personality Enzo Tortora.

On the occasion of the release of the second volume of CAM Sugar Synth Utopia digital album series, the founder of Synth History Danz CM dives into the enduring legacy of Italian and French cinema proto-electronic scores, from Ennio Morricone to Vangelis, and many more.

The Italian composer was a pioneer of electronic music, in a cultural season in which Italy and its synthesisers reached global appraisal and were loved by international rock stars.

The French actress and musician joined Philippe Sarde in studio to bring to life, fifty and counting years after its composition, a song written for Romy Schneider but never recorded.

The director, artist and musician explores his relationship with horror cinema and its music, from Mario Bava to Ennio Morricone.

Composer Fabio Massimo Capogrosso on reinterpreting the musical heritage of Fiorenzo Carpi’s Pinocchio for Francesca Comencini’s ‘Il tempo che ci vuole’ and collaborating with Marco Bellocchio.

The graphic designer takes us on a tour of his home studio and discusses the influence of collecting books and ephemera on design.

The first ever release of the film’s complete soundtrack by Detto Mariano, is the opportunity to look back to the deeper social meanings of the cult opus by Carlo Vanzina.

The recently rediscovered vocal version by Florinda Bolkan of the Ennio Morricone’s classic is a sensual invitation to share the dinner table and perhaps more . 

From Ennio Morricone and Piero Piccioni to Bach and Vivaldi, soundtracks are a tool to better decipher the approach of the author and director to cinema and the meanings assigned to the seventh art.