The director, artist and musician explores his relationship with horror cinema and its music, from Mario Bava to Ennio Morricone.

Composer Fabio Massimo Capogrosso on reinterpreting the musical heritage of Fiorenzo Carpi’s Pinocchio for Francesca Comencini’s ‘Il tempo che ci vuole’ and collaborating with Marco Bellocchio.

The graphic designer takes us on a tour of his home studio and discusses the influence of collecting books and ephemera on design.

The first ever release of the film’s complete soundtrack by Detto Mariano, is the opportunity to look back to the deeper social meanings of the cult opus by Carlo Vanzina.

The recently rediscovered vocal version by Florinda Bolkan of the Ennio Morricone’s classic is a sensual invitation to share the dinner table and perhaps more . 

From Ennio Morricone and Piero Piccioni to Bach and Vivaldi, soundtracks are a tool to better decipher the approach of the author and director to cinema and the meanings assigned to the seventh art.